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- W1591569098 abstract "Today it seems possible to think that, according to a certain view of cinema, Fritz Lang would be, not superior, but preferable, perhaps, to Alfred Hitchcock. Everything in Hitchcock is oriented towards the past, regardless of the radical sense of presence with which his films are conveyed to the viewer – the power of the relation-image, as Deleuze made evident. Whereas Lang's cinema clings fiercely to the present. Even if a film is marked by a past event, it is immediately absorbed into the present to become one of its components. From the perspective of the future, of the cinema to come, the work of Hitchcock is richer: it offers more potentialities, and more correspondences. But from the perspective of the past, of the future of the past of which cinema was one of its names, the work of Lang is more certain." @default.
- W1591569098 created "2016-06-24" @default.
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- W1591569098 date "2014-12-05" @default.
- W1591569098 modified "2023-10-17" @default.
- W1591569098 title "Why Lang Could Become Preferable to Hitchcock" @default.
- W1591569098 doi "https://doi.org/10.1002/9781118587751.ch2" @default.
- W1591569098 hasPublicationYear "2014" @default.
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