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- W1594242861 abstract "An attempt to integrate disability studies with Sinophone studies, the article locates the models of the blind flaneuse and the sweet innocent in Chinese-language visual cultural texts. These texts are from the first decade of the twenty-first century, as the rise of China and neoliberalism loom ever larger. The type for the sweet innocent is Charles Chaplin's ”City Lights”, in which a blind girl, sweet and innocent, passively awaits help from male benefactors. In opposition to the dependent sweet innocent, who is taught to stay at home to avoid participation in the city, the blind flaneuse, a notion inspired by Walter Benjamin's flaneur and modified by feminist and disability studies scholars, insists on venturing into the urban scene largely on her own. Zhang Yimou's film ”Happy Times” focuses on a blind girl, pitied by a group of able-bodied benefactors who manipulate her trust, who decides to seek independence as a blind flaneuse. In ”The Eye” from Hong Kong, the blind girl as a flaneuse supported by a disability-friendly city is ironically transformed into a sweet innocent, relying on a male professional after a well-intentioned sight-restoring optical surgery is imposed on her body. In the pictorial book ”Sound of Colors” by the acclaimed artist Jimmy in Taiwan, the blind girl, who relishes more colors in her mind's eye than the able-bodied citizens who are bored with their colorless everyday life, affirms her self-reliance through her complicated but regulated survival skills in the city; however, likely motivated by neoliberalist logic, the adaptations of ”Sound of Colors” work to undermine this blind girl's autonomy and impose companionship upon her. Singapore's ”Be With Me” reveals how an ethical relation of trust can be maintained in a global city by featuring a senior woman whose multiple disabilities challenge the manifold biases against gendered and disabled minorities." @default.
- W1594242861 created "2016-06-24" @default.
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- W1594242861 date "2013-12-01" @default.
- W1594242861 modified "2023-09-24" @default.
- W1594242861 title "Flaneuse or Innocent: Blind Women in Chinese-Language Visual Culture in the New Millennium" @default.
- W1594242861 doi "https://doi.org/10.6184/tkr201312-4" @default.
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