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- W1602624748 abstract "This article evaluates the performative function of the Auxerre pilota celebration, a liturgical game realized over an ecclesiastical labyrinth on Easter Monday and recorded as early as the fourteenth century. In the festive rite, members of the clergy engaged in a dance, enacted while tossing a ball back and forth, and singing the Easter sequence Victimae paschali laudes. This chorea circa daedalum synchronized temporal and sublunary in a corporate ritual, which simultaneously inscribed multivalent Neo-Platonic paradigms within the parameters of music and dance. The embodied practice coalesced secular and ecclesiastical in its concomitant evocation of the harmony of the spheres, the Passion of the Christ, and the mythical trajectories of Theseus and Orpheus. The article interrogates the socio-cultural and communal implications of this embodied cultural legacy and the constitutive role of music in this collective practice" @default.
- W1602624748 created "2016-06-24" @default.
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- W1602624748 date "2009-01-01" @default.
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- W1602624748 title "Performing the Passion: Music, Ritual, and the Eastertide Labyrinth" @default.
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