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• W1618003011 abstract "I n May of 1963, Life Magazine published several remarkable photographic images of Elijah Muhammed, Malcolm X, and other Nation of Islam members. Some of those images, especially those of Malcolm X, have achieved iconic status in the history of the U.S. Civil Rights Movement. One full-page image is particularly memorable in its depiction of a paralyzed William Rogers, seated in a wheelchair and apparently leaning in to listen to someone outside the frame, with Malcolm standing and orating behind. Both men are holding up Muslim newspapers with the clearly visible headline, SEVEN UNARMED NEGROES SHOT IN COLD BLOOD BY LOS ANGELES POLICE (Parks 24). Rogers himself, one learns from the caption on the opposite page, had been shot by police bullets in Los Angeles. These images appeared on the heels of Life's coverage, earlier in the month, of riots in Birmingham, Alabama, and a growing impatience nationwide with the country's continuing racial injustices. Accompanying the images, which were taken by the veteran Life photographer Gordon Parks, was a report by Parks on the Nation of Islam, written from his own perspective. The article was introduced in the Editor's Note by George P Hunt, who wrote an entree to Parks as a man who had grown up in a largely hopeless situation in rural Kansas where racism forced a black man to fight for basic dignity (3). As one who turned the violence and bitterness inside into hard work. Parks is portrayed as a man whose varied talents as photographer, music composer, poet, and novelist developed due to his own considerable efforts (Hunt 3). Parks's autobiographical novel. The Learning Tree, published later in 1963, and his several later memoirs, including A Choice of Weapons, narrate in detail his own versions of his development as an artist. Here I'd like to consider Parks's reportorial photographs and accompanying personal essay, What Their Cry Means to Me, as an act of publishing with implications for the teaching of written composition. To consider his published text is to note how its fixity stands at an intersection of complex racial, commercial, and artistic forces, a nexus that both creates and closes off spaces for meaningful expression. By stepping into this particular writing space. Parks asserted a power afforded by painful news events in the country that had reached the pages of the popular magazines of the time. His background as a first-rate Life news photographer—a profession that involved" @default.
• W1618003011 created "2016-06-24" @default.
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• W1618003011 date "2008-04-01" @default.
• W1618003011 modified "2023-09-25" @default.
• W1618003011 title "Publishing in '63: Looking for Relevance in a Changing Scene." @default.
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