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- W161815663 abstract "A MEMORABLY WITTY NEW YORKER ARTICLE WolcOtt Gibbs, speculating in 1936 about the future of the Luce publishing enterprise, concluded, Where it all will end, knows God! Time had been going since 1923, Fortune since 1930, and Life was a newborn infant. Two decades later the Luce publications remain vigorous journalistic facts, and it would still be foolhardy for anyone with a mind less than godlike to hazard a guess as to where it all will end. But by this time it is clear that certain important things have happened, that new and possibly very significant patterns have emerged from the gargantuan Luce operation. New kinds of journalistic organization, new methods of collecting and arranging material for publication, new journalistic styles have been worked out by the Luce people and not the least significant among these innovations has been Life's creation of a new kind of criticism. Since its founding in November of 1936 Life has discovered and experimented with a new journalistic role: that of the visualverbal, corporate critic of the visual arts, literature and music for both the general reader and the general nonreader. And in its twenty-one years in this role Life has developed an identifiable critical personality. One of a critic's tasks (not the primary one but, certainly in our culture, one of them) is to observe artistic phenomena and draw other people's attention to them. From its beginnings Life has taken a lively interest in the arts indeed, an almost possessive interest in them and has always done this reportorial chore of the critic in a dramatically thorough way. In its first year (November, 1936, to" @default.
- W161815663 created "2016-06-24" @default.
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- W161815663 date "2016-01-01" @default.
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- W161815663 title "Life Looks at Literature" @default.
- W161815663 hasPublicationYear "2016" @default.
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