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- W166873948 abstract "We are all prisoners of language, and we remain so to the end of our lives. There is a world beyond the bars, and we catch a glimpse of it when we are jolted out of our habits, our expectations. Poetry - at its best - is capable of delivering such a jolt, if we are willing to go along for the ride. Here's an example: There's a little bit of no one in all of us. Did you feel that? It is my impression that the English language is becoming more and more rigid. We speak by bringing together predigested, pre-fabricated blocks of language. This gives the impression of communication: we understand each other, but we are rendered incapable of saying anything truly distinctive, especially about our own experience. This way of using language is entrenched in the media, in institutions, in organizations. We use language as a tool, and turn ourselves into instruments of language. We are, in a sense, possessed, from the inside, by this inevitable adequate sensible practical language. There is no escape from it, except in certain oases, such as some kinds of poetry. Here, language is allowed to play again, and we are allowed to play with the possibilities of meaning, rather than allowing ourselves to be tightly framed by it." @default.
- W166873948 created "2016-06-24" @default.
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- W166873948 date "2010-07-28" @default.
- W166873948 modified "2023-09-23" @default.
- W166873948 title "'Natural Meadows of Translation': On Translating Poetry" @default.
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