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- W1736005878 abstract "Henry Martin recently introduces new forms of the Urlinie other than Schenker’s 3-, 5-, and 8-lines to provide superior readings of works from the tonal jazz repertory. This study questions the superiority of these new Urlinien ; Schenker’s three forms of the Ursatz are preferred instead. Martin’s dissatisfaction with orthodox Schenkerian theory is traced to his belief in the inviolability of the original melody, which excludes the use of implied tones and forces the Urlinie to appear in the upper voice, thus eliminating the Deckton ." @default.
- W1736005878 created "2016-06-24" @default.
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- W1736005878 date "2012-09-01" @default.
- W1736005878 modified "2023-10-11" @default.
- W1736005878 title "Schenker and the Tonal Jazz Repertory" @default.
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- W1736005878 doi "https://doi.org/10.30535/mto.18.3.7" @default.
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