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- W1738151488 abstract "George Eliot’s fiction is well known for the way in which it experiments with the sleights and shifts of emotive language (see Hardy, 1985, pp. 131–57). This essay argues that her conception of art as an extension of solidarity played a formative role in her literary authorship. Marian Evans Lewes, the anonymous yet well-known ‘writer of the articles of the Westminster Review’, shifted from translating and periodical reviewing to writing fiction on 23 September 1856 (Eliot, 1954–78, vol. 2, p. 287). By 1858, after the anonymous serialization of her short stories Scenes of Clerical Life (1857) in Blackwood’s Edinburgh Magazine, and their pseudonymous book publication followed by that of her novel Adam Bede (1859) with the Blackwood firm, she came to be known as the literary author ‘George Eliot’. An examination of her career choices (literary genres, types of periodicals and modes of publications) during 1856–59 in her transition from journalism to literature will help to explicate her authorial formation as a promoter of sympathy.KeywordsWoman WriterPeriodical PressFemale AuthorReading PublicAuthorial FormationThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W1738151488 created "2016-06-24" @default.
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- W1738151488 date "2007-01-01" @default.
- W1738151488 modified "2023-09-26" @default.
- W1738151488 title "‘George Eliot’, the Literary Market-Place and Sympathy" @default.
- W1738151488 doi "https://doi.org/10.1057/9780230206120_3" @default.
- W1738151488 hasPublicationYear "2007" @default.
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