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- W1750201802 abstract "Since Jan Emmenss influential book Rembrandt en de regels van de kunst, it has been generally taken for granted that classicist art theory took hold in the Netherlands after c. 1670 and that, as a consequence, the criti cism of Rembrandt's art came into being only after Rembrandt's death. For example, Emmens was convinced that Joachim von Sandrart, in his 1675 biography of Rembrandt, showed little knowledge about Rembrandt and his work of the 1630s and '40s and only repeated the popular cliches of the new classicism that had developed in Italy and France. He maintained that the words Von Sandrart put into Rembrandt's mouth would have been im possible in the Netherlands in 1637-45 (the period Von Sandrart lived in Amsterdam), because classicist criticism did not yet exist. In this essay I argue that such criticism did not stem from theoretical ideas developed only in the later 17th century, but was rooted in debates that had already been going on for a long time, debates in which Rem brandt must have taken a deliberate and conspicuous stand. Von Sandrart, whose ideas and style represented an alternative in the Amsterdam of the late '30s and early '40s, described with amazing precision how Rembrandt put concepts of a 'coloring' and from life' ideology into use in his works of this period. This ideology, to which Rembrandt adhered, was already quite fiercely contested in the late '20s and '30s." @default.
- W1750201802 created "2016-06-24" @default.
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- W1750201802 date "2009-01-01" @default.
- W1750201802 modified "2023-09-27" @default.
- W1750201802 title "Rembrandt and the rules of art revisited" @default.
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