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- W175024754 abstract "By all rights, this should be an exciting time for Chicano and other Latino film scholarship. Though hardly a torrent, there are an increasing number of films starring Latino artists, a grow ing number of Latino directors, several high-profile Latino film festivals, and a small but active cadre of Latino film scholars, trained both in film criticism and in social sciences and humani ties. Because of these favorable circumstances, it can be assumed that a major, ground-breaking work in film criticism should appear, similar in nature perhaps to Rudy Acuiia's original Occupied America (1972), Americo Paredes's With His Pistol in His Hand: A Border Ballad and Its Hero (1958), Mario Barrera's Race and Class in Southwest (1979), or Vicki Ruiz's Cannery Women/Cannery Lives (1987), all of which were paradigm-shifting works provoking others to look at Chicano lives differently. To expect this in Chicano film studies may be a tall order, but Chon Noriega's new collection of essays is disappointing,*and at $50.00, disappoints terribly. Like a high-priced film one waits eagerly to see but that fails to deliver, this volume leaves a reader blinking in sunlight after show. After attending important Astoria film series that Noriega curated, I had enthusiastically awaited this book. Chicano film scholarship needs more informed historiographic and curato rial/archival expertise, and his careful work at Queens exhibit promised a thorough, meticu lous, mature study. His publisher promised that this was the first collection of essays on Chicanos and film to provide a comprehensive framework for field, so my high expecta tions were jolted by book, which, if it were a film, would close after a week, consigned to video store oblivion." @default.
- W175024754 created "2016-06-24" @default.
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- W175024754 date "2016-01-01" @default.
- W175024754 modified "2023-09-27" @default.
- W175024754 title "OF PACHUCOS, YEGUAS, GREASERS, AND COFFEE AND EGGS: CHICANOS AND FILM CRITICISM" @default.
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