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• W1802279191 abstract "To the readers and admirers of Samuel Taylor Coleridge, “The Rime of the Ancient Marine”r was a complete differentia from his other romantic poems or even those of his contemporary William Wordsworth. Many studies and reviews dealt with its romantic traces, its attempted departure from giving a stable romantic view of man and nature by intermixing between the familiar and the unfamiliar. What has been overlooked in the critical studies of this poem is the poet’s use of Space as suggested by the voyage/quest taken by the Mariner. This paper focuses on the spatial obsession within man and/ in nature: the constant fabrication and cancellation of space externally and internally by the Mariner in order to evade guilt and remorse. Space is everywhere present in the poem, even in the very use of the word “Mariner” that combines two different physical scapes, sea and land. Objects like the sea, sun, stars are portrayed within a language that is dominated by verbs and prepositions denoting spatial concerns, and last but not the least, in the narrative technique that begins in media res as in ballad , the shifts in spatial time-present and past as well as the choice of the narrator, the Mariner himself. It is the purpose of this paper to highlight the manipulation of space and examine its significance. For Space is a device as well as an aim to sublimate the experience of the Mariner and to reinstate his humanity. Space sometimes suggests the negation of the very Romanticism for which the poem was written. This seems interesting handling from a major poet and proponent of Romanticism. Notwithstanding, Space in “The Rime of the Ancient Mariner” will be read in the light of the studies conducted on Coleridge the poet and the critic, and the ideas of modern critical figures such as Michel Foucault and Gaston Bachelard. The paper concludes that in “The Rime of the Ancient Mariner”, Coleridge had to use/ erase the spatial framework to probe the spectrum of Romantic poetry, putting human nature and Nature as two interconnected entities, which does not lead eventually to a positive affirmation of both. Key words : Ancient mariner; Flux and fixity; Obsession Resume Pour les lecteurs et admirateurs de Samuel Taylor Coleridge, La Rime de l'Ancient Mariner etait une differenciation complete de ses autres poemes romantiques ou meme ceux de son contemporain William Wordsworth. De nombreuses etudes et commentaires traites avec ses traces romantique, son depart a tente de donner une vue romantique de la stabilite homme et la nature en melangeant entre le familier et l'inconnu. Ce qui a ete neglige dans les etudes critiques de ce poeme est l'utilisation du poete de l'espace tel que suggere par la quete de voyage / prise par Mariner. Ce document se concentre sur l'obsession spatiale au sein de l'homme et / dans la nature: la fabrication constante et l'annulation de l'espace externe et en interne par le Mariner afin d'echapper a la culpabilite et de remords. L'espace est partout presente dans le poeme, meme dans l'utilisation meme du mot qui le Mariner combine deux differents paysages physiques, mer et terre. Objets comme la mer, le soleil, les etoiles sont depeints dans un langage qui est domine par les verbes et les prepositions indiquant preoccupations spatiales, et le dernier mais non le moindre, dans la technique narrative qui commence in media res comme dans la ballade, les changements dans l'espace temps presents et passes ainsi que le choix du narrateur, le Mariner lui-meme. C'est le but de ce document pour mettre en evidence la manipulation de l'espace et etudier sa signification. Pour l'espace est un dispositif ainsi que le but de sublimer l'experience de l'Mariner et de reintegrer son humanite. Espace suggere parfois la negation de la tres romantique pour laquelle le poeme a ete ecrit. Cela semble interessant de la manipulation d'un poete majeur et promoteur du romantisme. Nonobstant, l'espace dans la Rime de l'Ancient Mariner sera lu a la lumiere des etudes menees sur Coleridge le poete et le critique, et les idees modernes de chiffres essentiels tels que Michel Foucault et Gaston Bachelard. Le document conclut que dans The Rime de l'Ancient Mariner, Coleridge avait a utiliser / effacer le cadre spatial de sonder le spectre de la poesie romantique, mettant la nature humaine et la nature comme deux entites interconnectees, ce qui ne conduisent finalement a une affirmation positive a ces deux. Mots cles: Ancien Mariner; Flux et fixite; Obsession" @default.
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• W1802279191 date "2011-09-30" @default.
• W1802279191 modified "2023-09-26" @default.
• W1802279191 title "Between Flux and Fixity: Negotiations of Space in Samuel Taylor Coleridge’s The Rime of the Ancient Mariner" @default.
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• W1802279191 doi "https://doi.org/10.3968/j.ccc.1923670020110703.195" @default.
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