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- W1837720707 abstract "Though there were and always have been djs, dancers, graffiti artists, and rappers who were Black women, they are placed on the periphery of hip-hop culture; their voices, along with gay rappers and white rappers devalued and their contribution to the global rise of hip-hop either forgotten or eschewed. This article is an attempt to articulate the existence of Black women who work outside of the paradigms of the silence, secrecy, and a partially self-chosen invisibility that Evelynn Hammonds describes. At the center of this article lies an attempt to locate a new configuration and expression of desire and sexuality, opening a door, wide open, to gain a different view of Black women, their sexuality, their expression of it, and the complexities that arise when they attempt to express it in hip hop nation language." @default.
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- W1837720707 date "2011-07-01" @default.
- W1837720707 modified "2023-09-27" @default.
- W1837720707 title "Black Women Queering the Mic: Missy Elliott Disturbing the Boundaries of Racialized Sexuality and Gender" @default.
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- W1837720707 doi "https://doi.org/10.1080/00918369.2011.581921" @default.
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