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- W18444781 abstract "The change of a century, let alone a millennium, tends to inspire retrospective views in literary studies with the implication that something new must have just emerged, or is about to do so. Of course as often as not critics rather than writers are responsible for creating the new aesthetic. We need our labels and we tend to define them with temporal parameters, whether they are millenniums, centuries, decades, or generations. So now that we are firmly in the 2000s, collectively we feel the need to address the question of how to assign a rubric to the new Spanish fiction as opposed to what prevailed up to the political transition. Imitating the generational term that Neil Howe and William Strauss borrowed from the Douglas Coupland novel Generation X: Tales of an Accelerated Culture, and which the two critics applied to a group of North American novelists born in the 1960s and 1970s, several Hispanists, imposing the same parameters, have christened the new Spanish aesthetic Generaci?n X.1 Of course all shibboleths are in essence arbitrary and to one degree or the other distort what they pretend to clarify, but literary generations may qualify as one of the more pernicious offenders since they tend to be simultaneously all-exclusive and all-inclusive.2 In reference to the first characterization, once the initial membership has been determined, the tendency is to create closed societies; a given writer either is or is not considered a member, new constituents are almost never admitted, and" @default.
- W18444781 created "2016-06-24" @default.
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- W18444781 date "2005-01-01" @default.
- W18444781 modified "2023-09-24" @default.
- W18444781 title "Depolarization and the new Spanish fiction at the millennium" @default.
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