FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W1869527093> ?p ?o ?g. }

• W1869527093 endingPage "41" @default.
• W1869527093 startingPage "20" @default.
• W1869527093 abstract "James Shapiro has described the relationship between Shakespeare and Marlowe as one in which Shakespeare seems to be very much aware of what Marlowe is up to and chooses to chart a parallel course (103).1 Such comparative trends have helped to redress a longstanding stratification of the two playwrights, evinced by (among others) Harold Bloom in his Anxiety of Influence,where Shakespeare is largely omitted since his prime precursor was Marlowe, a poet very much smaller than his inheritor (11).2 Other critics have broadly cross-examined such plays as The Merchant of Veniceand The Jew of Malta,and some have detected Marlovian influence in Titus Andronicus,The Merry Wives of Windsor,Macbeth,and Hamlet.3 Between Hero and Leanderand Shakespeare's narrative poems there is a clear Ovidian and generic correspondence. There is, too, the supposed reference to Marlowe's fatal brawl in As You Like It—a great reckoning in a little room (3.3.15)—and a brief commendation: Dead shepherd, now I find thy saw of might, / 'Who ever lov'd that lov'd not at first sight?' (3.5.81-82).4 And Shakespeare paraphrases Marlowe's most famous lines from Doctor Faustus,on Helen of Troy (Was this the face that launched a thousand ships / And burnt the topless towers of Ilium?), in Troilus and Cressida:Why, she is a pearl, / Whose price hath launch'd above a thousand ships, / And turn'd crown'd kings to merchants (2.2.81-83).5 However, despite these various parallels and homages, little critical attention has been paid to perhaps Shakespeare's most topical play, Love's Labor's Lost,and its significant connections to Marlowe's Doctor Faustus.6 While the two share immediate thematic concerns—the often ironic quest for knowledge, the frustrations and distractions of love, the imminence of death—Shakespeare's work also inverts a great many of Marlowe's constructions, a pageant of Nine Worthies, for instance, rather than Seven Deadly Sins.7 In a play notable for its emphasis on reversals, indeed one that self-consciously reverses its own comic trajectory by interrupting and deferring a wedded completion, Shakespeare similarly responds [End Page 20] to Marlowe with a play aimed at reversing and superseding his predecessor's.8 The play's probable swipes at other contemporary writers, as well as the epistemological considerations of its academicians, both dislocate and overturn established authorities; Love's Labor's Lostperforms a similar exorcism upon Doctor Faustus,enacting between plays Shakespeare's larger project of reversal within the play." @default.
• W1869527093 created "2016-06-24" @default.
• W1869527093 creator A5091767270 @default.
• W1869527093 date "2003-01-01" @default.
• W1869527093 modified "2023-10-18" @default.
• W1869527093 title "Shakespeare's Anxious Epistemology: Love's Labor's Lost and Marlowe's Doctor Faustus" @default.
• W1869527093 cites W1505640034 @default.
• W1869527093 cites W1571428408 @default.
• W1869527093 cites W1577040131 @default.
• W1869527093 cites W1958081781 @default.
• W1869527093 cites W1983078159 @default.
• W1869527093 cites W1983982657 @default.
• W1869527093 cites W1993216833 @default.
• W1869527093 cites W1993701089 @default.
• W1869527093 cites W2024997395 @default.
• W1869527093 cites W2031702947 @default.
• W1869527093 cites W2032593276 @default.
• W1869527093 cites W2057759770 @default.
• W1869527093 cites W2060162581 @default.
• W1869527093 cites W2087884070 @default.
• W1869527093 cites W2116132424 @default.
• W1869527093 cites W2120352185 @default.
• W1869527093 cites W2133695197 @default.
• W1869527093 cites W2151211588 @default.
• W1869527093 cites W2221780044 @default.
• W1869527093 cites W2224345337 @default.
• W1869527093 cites W2314642356 @default.
• W1869527093 cites W2317386400 @default.
• W1869527093 cites W2318550912 @default.
• W1869527093 cites W2326877288 @default.
• W1869527093 cites W2329910742 @default.
• W1869527093 cites W2336763443 @default.
• W1869527093 cites W2485626738 @default.
• W1869527093 cites W2789488523 @default.
• W1869527093 cites W2796266567 @default.
• W1869527093 cites W2796798974 @default.
• W1869527093 cites W2796861249 @default.
• W1869527093 cites W2796962514 @default.
• W1869527093 cites W2798426714 @default.
• W1869527093 cites W2801636838 @default.
• W1869527093 cites W2808615936 @default.
• W1869527093 cites W2889322578 @default.
• W1869527093 cites W3147941441 @default.
• W1869527093 cites W360630009 @default.
• W1869527093 cites W631621676 @default.
• W1869527093 cites W654047845 @default.
• W1869527093 doi "https://doi.org/10.1353/tsl.2003.0002" @default.
• W1869527093 hasPublicationYear "2003" @default.
• W1869527093 type Work @default.
• W1869527093 sameAs 1869527093 @default.
• W1869527093 citedByCount "2" @default.
• W1869527093 countsByYear W18695270932022 @default.
• W1869527093 crossrefType "journal-article" @default.
• W1869527093 hasAuthorship W1869527093A5091767270 @default.
• W1869527093 hasConcept C124952713 @default.
• W1869527093 hasConcept C127413603 @default.
• W1869527093 hasConcept C138885662 @default.
• W1869527093 hasConcept C142362112 @default.
• W1869527093 hasConcept C164913051 @default.
• W1869527093 hasConcept C17744445 @default.
• W1869527093 hasConcept C18903297 @default.
• W1869527093 hasConcept C199033989 @default.
• W1869527093 hasConcept C199539241 @default.
• W1869527093 hasConcept C2524010 @default.
• W1869527093 hasConcept C2775922551 @default.
• W1869527093 hasConcept C2776860057 @default.
• W1869527093 hasConcept C2777914595 @default.
• W1869527093 hasConcept C2778068864 @default.
• W1869527093 hasConcept C2778941711 @default.
• W1869527093 hasConcept C2779387294 @default.
• W1869527093 hasConcept C2780861071 @default.
• W1869527093 hasConcept C33923547 @default.
• W1869527093 hasConcept C51364203 @default.
• W1869527093 hasConcept C78519656 @default.
• W1869527093 hasConcept C86803240 @default.
• W1869527093 hasConcept C94625758 @default.
• W1869527093 hasConcept C95457728 @default.
• W1869527093 hasConceptScore W1869527093C124952713 @default.
• W1869527093 hasConceptScore W1869527093C127413603 @default.
• W1869527093 hasConceptScore W1869527093C138885662 @default.
• W1869527093 hasConceptScore W1869527093C142362112 @default.
• W1869527093 hasConceptScore W1869527093C164913051 @default.
• W1869527093 hasConceptScore W1869527093C17744445 @default.
• W1869527093 hasConceptScore W1869527093C18903297 @default.
• W1869527093 hasConceptScore W1869527093C199033989 @default.
• W1869527093 hasConceptScore W1869527093C199539241 @default.
• W1869527093 hasConceptScore W1869527093C2524010 @default.
• W1869527093 hasConceptScore W1869527093C2775922551 @default.
• W1869527093 hasConceptScore W1869527093C2776860057 @default.
• W1869527093 hasConceptScore W1869527093C2777914595 @default.
• W1869527093 hasConceptScore W1869527093C2778068864 @default.
• W1869527093 hasConceptScore W1869527093C2778941711 @default.
• W1869527093 hasConceptScore W1869527093C2779387294 @default.
• W1869527093 hasConceptScore W1869527093C2780861071 @default.
• W1869527093 hasConceptScore W1869527093C33923547 @default.
• W1869527093 hasConceptScore W1869527093C51364203 @default.
• W1869527093 hasConceptScore W1869527093C78519656 @default.
• W1869527093 hasConceptScore W1869527093C86803240 @default.

• next