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- W1872281424 abstract "A famous but possibly apocryphal anecdote describes an 1897 telegram exchange between artist Frederick Remington and his employer, newspaper editor William Randolph Hearst. Remington supposedly cabled from Cuba, where he was on assignment, to report, Everything is quiet. There is no trouble here. There will be no I wish to return. And Hearst supposedly responded, Please remain. You furnish the pictures and I'll furnish the war. This often-repeated anecdote, apocryphal or not, illustrates not only Hearst's sensationalism and bravado but also the power of culture to influence politics. Hearst's journalism may not have directly furnished the Spanish American War, but the anecdote still retains its appeal, perhaps because it suggests the power of representation to shape public consciousness and opinion, and the power of public opinion to influence foreign policy and military decisions. This power, impossible to quantify or definitively prove, was undoubtedly wielded by Richard Harding Davis, Remington's partner, who stayed and reported on conflicts between Cuban insurgents and the Spanish after Remington ignored Hearst's response and returned home. The articles sent back by Davis, one of the most celebrated journalists of this era, depicted proud rebels gunned down by ruthless firing squads and genteel Cuban women strip-searched by the crude Spanish, standard sensational fare for Hearst's jingoistic New York Journal But interestingly, these reports of" @default.
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- W1872281424 date "2001-06-01" @default.
- W1872281424 modified "2023-09-23" @default.
- W1872281424 title "Democracy, Development and the Monroe Doctrine in Richard Harding Davis's Soldiers of Fortune" @default.
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