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- W187609493 abstract "For going on thirty years now, criticism of Charlotte Bronte’s Shirley (1849) has hinged on tropes of displacement. th e novel’s 1849 publication date and its backdated subject matter (the 1811–12 Luddite rebellions) prompted te rry ea gleton to claim that “Chartism is the unspoken subject of Shirley ” (45). ea gleton’s sense that workers appear only in the text as “freaks or disembodied roars” allows him to make the compelling argument that Bronte substitutes subver sive Chartism for explicit Luddism (50). Similarly, feminist critics have built on tropes of displacement by calling attention to the thematic connections Bronte makes between the plights of male woolen workers and middle-class female homemakers. Sandra Gilbert and Susan Gubar, and more recently Anna Silver and Beth to rgerson, have argued that starvation and hunger link the women of the novel to its unem" @default.
- W187609493 created "2016-06-24" @default.
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- W187609493 date "2013-01-01" @default.
- W187609493 modified "2023-10-14" @default.
- W187609493 title "Networked Manufacture in Charlotte Brontë's <em>Shirley</em>" @default.
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- W187609493 doi "https://doi.org/10.2979/victorianstudies.55.2.231" @default.
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