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- W1877442804 abstract "6 Preface 7 1. Encountering Peripheral Cultural Phenomena 9 1.1. Forsberg’s Icon Painting in Art Sociological Analysis: Conceptual Issues and Selected Perspectives 9 1.2. An Adaptation of Bourdieu’s Theory of Cultural Fields 18 1.3. The Pictorial Source Material: Questions of Accessibility and Method .. 23 2. Attempts at a Field-Constitution 30 2.1. Educational, Social, and Religious Capital in the Trajectory Formation of the Agent 30 2.2. Way of Life: Artistic and Religious Dispositions as Constructive Components of the Agent’s Habitus 40 2.3. Forsberg’s Literary Position-Takings and Dispositions in Public Debate .. 46 2.4. The Structural Creation of Entrance and Consecration 52 2.5. Genuineness and Acceptance 56 3. The Production of the Producer as a Space of Pictorial Position-Takings 69 3.1. Implemented Public Works – An Introductory Analysis 69 3.2. Icons in Finnish Lutheran Sacred Spaces – A Comparative Contextual Inquiry 93 3.2.1. Antiquarian Icons 93 3.2.2. Revivalist Byzantine Icons 98 3.2.3. Icon-type/Iconic Objects and Related Phenomena 112 3.2.4. Concluding Remarks 117 4. Formative Structures 119 4.1. Language and Nationality 119 4.2. Religious Distinctions 125 4.3. Parish Administration 135 4.4. Artistic and Cultural Currents 138 5. Conclusion: the Production of the Producer and the Space of Possibles 143 6. Appendix 147 6.1. Preliminary List of Implemented Public Works 147 6.2. Preliminary List of Icons and Icon-type Objects in Finnish Lutheran Sacred Spaces 151 6.3. Byzantine Pictorial Materials Published in Kotimaa, 1960–2000 155 7. Sources and Bibliography 161" @default.
- W1877442804 created "2016-06-24" @default.
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- W1877442804 date "2005-05-01" @default.
- W1877442804 modified "2023-09-26" @default.
- W1877442804 title "In Pursuit of the Genuine Christian Image : Erland Forsberg as a Lutheran Producer of Icons in the Fields of Culture and Religion" @default.
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