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• W1877828063 abstract "This article offers a critical, feminist, and interdisciplinary account of the question of listening in Jean-Luc Nancy's 2002 text, À l'écoute. Nancy's text is at once an auditory counterpart to his larger philosophical project; an articulation of the specifically sonorous subject; and a more expressly musicological contribution to his other work on the literary and visual arts. While Nancy's — among others' — attempts at steering philosophy away from or beyond a visual bias proliferate, considerably less commentary has been devoted to the way in which inherited ideas about aesthetic ‘objects’ — in this case music— already inhabit certain conceptions of the senses. By paying close attention to the characterization and inclusion of music in the corps sonore, and by tracing the genealogies of Nancy's thought on music (and sound), this article will finally offer a rereading of Nancy's oto-iconographical reading of Titian's Venus and Cupid with an Organist; one that highlights the ethical and political dimensions of Nancy's position. I shall argue that problematic and preconceived notions about the supposed nature of music abound in Nancy's philosophy of listening, revealing a metaphysical (sono)tropism that is all too familiar." @default.
• W1877828063 created "2016-06-24" @default.
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• W1877828063 date "2015-08-05" @default.
• W1877828063 modified "2023-10-03" @default.
• W1877828063 title "<i>(En) corps sonore</i>: Jean-Luc Nancy's ‘Sonotropism’" @default.
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• W1877828063 doi "https://doi.org/10.1093/fs/knv152" @default.
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