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- W1878115227 abstract "Late medieval chivalric and courtly culture was characterized by display—or, to use Thorstein Veblen’s term, ‘‘conspicuous consumption.’’1 Splendid clothing, armor, jewels, lavish food and table settings, ritual and spectacle of all kinds (tournaments, theatrical entertainments, pageants, processions, royal entries)—all these things were means by which the courtly class defined itself and presented itself to the world. Malcolm Vale has spoken of ‘‘the increasing sacralization of the secular’’ in the courts of the period: ‘‘A more formal, ritualized element gradually invaded the domestic life of princely courts, receiving its most marked—and often extravagant—expression at court feasts in which vows were taken, elaborate interludes and entremets introduced, and a more dramatic and theatrical dimension brought to the holding of ‘full’ or ‘solemn’ courts.’’2 The court of Richard II was notorious for" @default.
- W1878115227 created "2016-06-24" @default.
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- W1878115227 date "2009-01-01" @default.
- W1878115227 modified "2023-10-15" @default.
- W1878115227 title "Courtly Aesthetics and Courtly Ethics in Sir Gawain and the Green Knight" @default.
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- W1878115227 doi "https://doi.org/10.1353/sac.2009.a380147" @default.
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