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- W188646250 abstract "The Inutility of Tragedy. Tragedy, in the modern theater, is a genre more honored in repute than in performance, and Ibsen, inasmuch as he is admired, is not admired generally as a tragedian. In college courses tragedy, in various guises, is taught respectfully; and having a vision is always considered an impressive cachet for a dramatist to possess. But the creation of a full scale, multidimensional tragic argument about the modern world (of Aristotelian magnitude) does not appeal to theatergoers, (still less to film-goers) nor to modern playwrights. It goes against the thrust of current actor training, too, which is to keep the actor reassuringly close to the same level of experience as audiences, to get audiences to find themselves on familiar ground with the actor and the world of the play and not to establish the undemocratic aesthetic distance that the scale of action and the" @default.
- W188646250 created "2016-06-24" @default.
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- W188646250 date "1999-01-01" @default.
- W188646250 modified "2023-10-17" @default.
- W188646250 title "Ibsen's Cycle as Hegelian Tragedy" @default.
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- W188646250 doi "https://doi.org/10.1353/cdr.1999.0002" @default.
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