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- W1898012483 abstract "The thesis is divided into two main parts. The firstpart deals with the theatre in general, the second with theComedie-Francaise in particular.The first chapters explain the reasons for the immensepopularity of the theatre in Paris during the years ofoccupation, how the theatre was organised and how racial policiesand material difficulties affected productions. Relationsbetween the theatre and the press are examined in some detailas are those plays which either supported the ideals of the''Revolution Nationale or attacked them; reference is alsomade to the important part that the theatre played in prisoner-of-war camps, the effect that censorship had on certain plays,and how popular Joan of Arc was with both the Germans and theFrench as a theatrical heroine. The second part opens with a brief history of theComedie-Francaise during other wars, an explanation of therole that the public expected of their national theatreup to the time of invasion, details of changes in the theatre'srepertoire as a result of the declaration of war and an examinationof the attitudes of two administrators, Copeau andVaudoyer, to the invaders. The following chapters deal withthe more important productions which were put on at the theatreduring the occupation, and in Particular with plays byMontherlant, Cocteau and Claudel. The conclusions drawn are that although the theatrewas important to Parisians during the years 1940 - 1944,there is no real case to be made for a theatre of resistanceor collaboration, and that the Comedie-Francaise was notsignificantly affected by the German invasion." @default.
- W1898012483 created "2016-06-24" @default.
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- W1898012483 date "1973-07-01" @default.
- W1898012483 modified "2023-09-27" @default.
- W1898012483 title "The theatre in Paris during the German occupation, 1940-1944, with special reference to the Comédie-Française" @default.
- W1898012483 hasPublicationYear "1973" @default.
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