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- W1898941680 abstract "The growing literature on analysis and performance should be approached with caution by the enquiring performer: prolonged exposure might induce a state of confusion or despondency. Two contradictory tendencies characterise this literature: first, an authoritarian school of thought advocating ‘serious’ analysis of the score as the basis of interpretation; and secondly, a pessimistic view expressing doubt that analysis and performance have much or anything of substance to offer each other. Needless to say, some authors have sought a middle ground between these extremes, and the present chapter is conceived in just such a conciliatory spirit. Specifically, it attempts to show that analysis and performance can indeed be intimately linked – and in ways directly impinging on the act of interpretation, not just in some wishfully conceived, theoretically motivated fashion. It also defines a novel kind of ‘historical performance practice’ as a strategy for interpreting the music of Brahms." @default.
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- W1898941680 date "1995-12-07" @default.
- W1898941680 modified "2023-10-18" @default.
- W1898941680 title "Playing in time: rhythm, metre and tempo in Brahms's <i>Fantasien</i> Op. 116" @default.
- W1898941680 doi "https://doi.org/10.1017/cbo9780511552366.013" @default.
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