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- W1955961852 abstract "This essay revisits some of the most significant and enduring debates over the status of cinema as a popular form. first debate is over the 'aura' and film. In The Work of Art in the Age of Mechanical Reproduction (1935), Walter Benjamin celebrated the democratic moment when technical reproducibility— culminating with film—abolished the centuries-old 'aura' of art. Conversely, in The Culture Industry (1944), Theodor Adorno lamented the anti-enlightenment standardization wrought by the assembly line under monopoly capitalism, and the movies were for him a primary example of this mindlessness. Arguably, auteurism emerged in the crossfire of the legacies of Benjamin and Adorno. Since it sought to cordon films off from the undistinguished mass of studio 'product' by elevating certain film-makers into the rarefied air of individual expression, 'auteur theory' may be said to have conferred a plenitude on its chosen few, a plenitude akin to aura. second debate that I revisit is therefore that between Andrew Sarris and Pauline Kael, a debate surrounding the Americanization of the auteur." @default.
- W1955961852 created "2016-06-24" @default.
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- W1955961852 date "2010-05-31" @default.
- W1955961852 modified "2023-09-27" @default.
- W1955961852 title "Aura, Auteurism and the Key to Reserva" @default.
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