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- W1958681330 startingPage "415" @default.
- W1958681330 abstract "Considerado um autor regional ate pouco tempo antes de ganhar o Premio Nobel em 1992, com o epico de poesias Omeros , Derek Walcott, autor creole do Caribe Britânico, foi beneficiado pela globalizacao, apos produzir uma obra literario-poetica e pictorica significativa do imaginario do seculo XX, fragmentado por incursoes pos-modernas, exigindo leituras para alem dos “binarismos” primarios de poder (Homi Bhabha). O estudo iconografico que pretendemos, utilizando como ponto de partida seu livro Omeros e suas pinturas produzidas entre os anos de 1990 e 2006, busca ultrapassar a limitacao da pesquisa iconografica e iconologica, detectada nos ultimos anos, por autores como Peter Burke, nao so para reexaminar e reavaliar o imaginario de nossa epoca, como para evidenciar uma especie de sintese humanistica voltada para o dialogo entre os povos, em meio a outras abordagens. O entrecruzamento de fontes orais, pictoricas e literarias, visando a ampliacao de perspectivas, tao bem defendido por Michel Vovelle, denota tanto a presenca de alguns paradigmas e metodos conflitantes na abordagem da imagem e da linguagem, como justifica a pesquisa diante da escassez de trabalhos historicos nessa area, sugerindo novas analises. Palavras-chave : Derek Walcott. Poesia. Prosa. Imaginario. Caribe Resumen Derek Walkott fue considerado un autor regional hasta obtener el Premio Nobel de Literatura en 1992 con su obra Omeros . El estudio que proponemos pretende trascender la investigacion Iconografica, aunque esta apoyado en sus pinturas producidas entre 1990 y 2006. Se trata de contrastar fuentes pictoricas y literarias enfrentando paradigmas y utilizando variados metodos en la busqueda de uma ampliacion de perspectivas de la propia Historia. Palavras claves : Derek Walkott. Poesia. Prosa. Imaginario. Pintura. Caribe Abstract Considered a regional author until he was awarded the Nobel Prize in 1992 for his epic poetry Omero, Derek Walcott, a Creole writer and painter, benefited from globalization after producing a significant literary-poetic and artistic work about the twentieth-century imaginary, fragmented by post-moderns influences, demanding interpretations beyond primary ‘binarisms’ of power (Homi Bhabha). The iconography study that we propose, using as starting-point his book Omero and his paintings produced between 1990 and 2006, attempts to go beyond the iconographic and iconological research of the recent years, conducted by Peter Burke; it aims not only to re-examine and re-evaluate the imaginary’s epoch, but also to give evidence of a kind of humanistic synthesis directed to the dialogue between peoples, among other approaches. The intertwining of oral, pictorial and literary sources, with the aim to increase perspectives, as it has been supported by Michel Vovelle, denotes the presence of some paradigms and conflicting methods with the aim to increase perspectives, conflictive methods in the approach of image and language. The lack of historical studies in this area justifies the proposed research, with the proposal of new analyses. Keywords: Derek Walcott. Poetry. Prose. Painting. Imaginary. Caribbean" @default.
- W1958681330 created "2016-06-24" @default.
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- W1958681330 date "2007-01-01" @default.
- W1958681330 modified "2023-09-27" @default.
- W1958681330 title "Iconografia e História na Literatura de Derek Walcott" @default.
- W1958681330 cites W1786875711 @default.
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- W1958681330 hasPublicationYear "2007" @default.
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