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- W1965544318 abstract "Dynamic visual media are today an integral part of our everyday lives (Beller, 2006; Charney & Schwartz, 1995; Doane, 2002; Pomerance, 2006). Film is based on the presentation of still images in a speci!c temporal sequence, a technique that began to be developed about 125 years ago with devices such as the Zoetrope and the motion experiments of Eadweard Muybridge (Abel, 2005; Hendricks, 1975; Herbert, 2000). e viewing of dynamic scenes refers to perceptual, attentional and cognitive processes that can generate the impression of real-world motion, a phenomenon called apparent motion (Ko#ka, 1935; Munsterberg, 1916; Wertheimer, 1912). E#orts to understand mechanisms of cinematic perception have increased over the past several decades (e.g. Allen, 1995; Anderson, 1996; de Lauretis & Heath, 1980; Deleuze, 1983, 1985; Hochberg, 1986; Hochberg & Brooks, 1978; Smith, 2006; Virilio, 1994; Williams, 1997). Recent technical advances, such as fMRI and video-based eye-tracking, not only allow us to investigate where people pay attention when watching movie sequences (e.g. Schrammel, Pannasch, Graupner, Mojzisch, & Velichkovsky, 2009), but also permit us to analyze brain activity while viewing !lms (Bartels, Zeki, & Logothetis, 2008; Hasson et al., 2008)." @default.
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- W1965544318 date "2011-06-01" @default.
- W1965544318 modified "2023-10-08" @default.
- W1965544318 title "Apparent phi-motion in sequences of Eisenstein's October" @default.
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- W1965544318 doi "https://doi.org/10.7490/f1000research.1243.1" @default.
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