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- W1966842066 abstract "This article considers Ralph Ellison’s “The Little Man at Chehaw Station” in the context of his other post-Civil Rights Era writings. “Little Man,” is generally read as an optimistic assessment of the “integrative, vernacular note” of American experience, but in fact it is a more complex record of Ellison’s thinking. The aesthetic and political stakes of Ellison’s Cold-War-influenced assessment of Black Nationalism and social cohesion in the 1970s, I argue, are crystallized in the Inferno-esque coal-heavers’ vignette that concludes “Little Man.” By invoking Dante’s tenth canto, Ellison’s essay connects the melancholic present with the problematic ideological legacies of the Cold War." @default.
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- W1966842066 date "2013-01-01" @default.
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- W1966842066 title "An Integrative Vernacular: Ellison, Dante, and Social Cohesion in the Post-Civil Rights Era" @default.
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- W1966842066 doi "https://doi.org/10.1353/elh.2013.0025" @default.
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