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- W1967281905 abstract "This article offers an interpretive reading of the Anglo-American folk music revival, from its post-war roots to the early 1960s. The nature and development of the revival, it argues, can be illuminated by the multifaceted concept of cosmopolitanism, a property rarely associated with such expressive forms. Through a study of the relationship between two folk music promoters, American Alan Lomax and Anglo-Scot Ewan MacColl, the article shows how folk, a genre associated with local or national identities, lent itself to transnational elaboration after World War II, and why that process in turn fostered tensions within the revival. These tensions, it concludes, transformed folk's cosmopolitanism and marginalized Lomax and MacColl; an appreciation of them throws new light on folk music and on the meaning of Bob Dylan's emergence from the revival in the early 1960s." @default.
- W1967281905 created "2016-06-24" @default.
- W1967281905 creator A5046244598 @default.
- W1967281905 date "2010-01-01" @default.
- W1967281905 modified "2023-09-25" @default.
- W1967281905 title "A bridge too far? Cosmopolitanism and the Anglo-American folk music revival, 194565" @default.
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- W1967281905 doi "https://doi.org/10.1386/ejac.29.1.35/1" @default.
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