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- W1967663101 abstract "Artists in the second half of the twentieth century, explained John Cage in 1965, have a unique opportunity to “think of past literature as material rather than art.” It is not surprising that Cage would welcome “borrowings” from the past, since he consistently advocated using the “entire field of sound.” Moreover, it is noteworthy that, in the 1960s, creative artists from a variety of disciplines began to work under similar aesthetic assumptions. During the same period, for example, Robert Rauschenberg created a series of paintings incorporating a vast array of contemporary images with photographic reproductions of classic works. Today such appropriations are a recurrent feature of much late twentieth-century art, music, film, and literature. Appropriation and its allied techniques of quotation, parody, and pastiche have also been a focus of postmodernist cultural theory. This paper places Cage's musical appropriations within this larger artistic and intellectual context. Through a study of Cheap Imitati..." @default.
- W1967663101 created "2016-06-24" @default.
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- W1967663101 date "2001-01-01" @default.
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- W1967663101 title "Techniques of appropriation in music of John Cage" @default.
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- W1967663101 doi "https://doi.org/10.1080/07494460100640301" @default.
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