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- W1968626306 abstract "There has been less difficulty with the incorporation of religion into the study of art, not because the critical problem is either different or easier but because the task is defined historically, in terms of what people actually have done in using art in their religious activities. Such studies, in fact, should constitute the bedrock of the discipline, if the study of religion and art has any hope of developing into a recognizable scholarly field. Even so, the theoretical problem is no better treated than in the attempts to relate art to religion. The solution to these difficulties is not so simple as finding some new and superior mode of criticism; the restless succession of critical theories and methods in literary criticism should be sufficient warning against that process as a way out. The solution, rather, lies deeper, in an examination of the paradoxes and the dilemmas of the modern mind. We have not yet learned how to live with, work with, what we have learned about the workings of the mind and of the human organism in general. The solution to our problem may be more open to us if we learn how to take seriously what we now know about the world of the human. Brief summaries are usually caricatures; they are often indispensable. I" @default.
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- W1968626306 date "1983-01-01" @default.
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- W1968626306 title "Art as the Making of the World: Outline of Method in the Criticism of Religion and Art" @default.
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- W1968626306 doi "https://doi.org/10.1093/jaarel/li.1.15" @default.
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