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- W1968655574 abstract "PARTICULARLY TRUE for Middlemarch is the traditional idea that an essential element a plot is the crisis. George Eliot's attention to the importance of the plot is manifested part by her use of the word crisis on fifteen occasions this novel, all fifteen occurrences of the word coming after the halfway point of the story, being evenly distributed throughout the second half. An interesting variety of crucial junctures the several subplots are made explicit by the use of the word itself. These verbal pointers concerning a character are supplied either by the narrator or else by the character himself; the characters involved these minor crises are Dorothea, Casaubon, Lydgate, Bulstrode, Harriet Bulstrode, Ladislaw, and Rosamond. In addition to these references to individual crises, a few times the word refers to a group of characters involved a collective crisis; and, finally, reference is made twice to the situation the local Parliamentary election. Initially, when Dorothea discovers the hollowness of Casaubon and her marriage, the narrator says, in such a as this, some women begin to hate.' Of course Dorothea does yield to hatred for a brief while, but, as the heroine, she inevitably transcends it, if only after a difficult and believable struggle. Next, after Casaubon has decided to thwart by legal means what he wrongly imagines to be a romantic scheme between Will and Dorothea, his wife is aware from his changed work habits that there had been some" @default.
- W1968655574 created "2016-06-24" @default.
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- W1968655574 date "1974-03-01" @default.
- W1968655574 modified "2023-09-26" @default.
- W1968655574 title "The Concept of Crisis in Middlemarch" @default.
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- W1968655574 doi "https://doi.org/10.2307/2933238" @default.
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