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- W1968864245 abstract "In a recent issue of Early music I questioned the use of orchestras in concertos by Vivaldi. Now we have the reverse problem, in a new recording of Handel's Organ concertos, op.4 from Matthew Halls and Sonnerie under Monica Huggett (Avie av2055, rec 2004, 72′). Handel probably wrote all the op.4 concertos to be played during performances of oratorios during the 1735 and 1736 seasons, so they would presumably have been accompanied by the large orchestra required by the parent works—which in turn explains why the solo parts are for organ rather than harpsichord. Thus it is perverse for Sonnerie to accompany mostly one to a part, and for Matthew Halls to use a Dutch box organ that is quite different in sound and size from the large wardrobe-shaped English chamber organs Handel used. The group ignores Handel's oboe parts in nos.2, 3, 5 and 6, only uses ripieno violins in no.3 (where there is independent material for them in the Adagios), and gives the continuo part to an archlute rather than the harpsichord that Handel would surely have used." @default.
- W1968864245 created "2016-06-24" @default.
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- W1968864245 date "2006-05-01" @default.
- W1968864245 modified "2023-09-27" @default.
- W1968864245 title "Varieties of Handel" @default.
- W1968864245 doi "https://doi.org/10.1093/em/cal018" @default.
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