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- W1969134052 abstract "Beth Tobin links colonialism, the semiotics of visual culture, post-colonial theory, cultural anthropology, and recent theories from cultural studies in an attempt to uncover the relations of power that structure what she calls bad art--conversation pieces, ethnographic art, and commissioned portraits of individuals and families in colonial locations that are rarely displayed and mostly lie crated in archival storerooms, company offices, or rural mansions. She begins these excavations in the art, politics, social conventions, and racial history of three eighteenth-century British colonies by succinctly surveying a number of theoretical positions and relating them to the British colonial experience of 1770 -95 in North America, India, the Pacific, and Caribbean." @default.
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- W1969134052 date "2002-01-01" @default.
- W1969134052 modified "2023-10-17" @default.
- W1969134052 title "Picturing Imperial Power: Colonial Subjects in Eighteenth-Century British Painting (review)" @default.
- W1969134052 doi "https://doi.org/10.1353/jwh.2002.0022" @default.
- W1969134052 hasPublicationYear "2002" @default.
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