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- W1971149219 abstract "During the heyday of the beaux-arts mural movement in the United States, 1893-1917, scores of mural cycles were commissioned for libraries, courthouses, statehouses, banks, and private homes but there were only a few notable examples in a museums—in all, museum murals totaled only about 1%. I propose several possible reasons—that the philosophy of museum professionals, in the midst of rapid change, mitigated against mural decorations; that public monies were more likely to be allocated for civic buildings like courthouses than for those that relied partly on private beneficence; that the early (1897) unfavorable response to the Library of Congress's murals, perceived by many as a chaotic panoply of artists' styles, led prospective patrons to avoid a mix of museum collection and museum decorations; that despite Puvis's influence on the movement, the artist's murals known to Americans were not his museum murals. The contrast with the popularity of murals in American libraries will highlight many of these points." @default.
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- W1971149219 date "2012-06-01" @default.
- W1971149219 modified "2023-10-16" @default.
- W1971149219 title "Why So Few Museum Murals in the United States?" @default.
- W1971149219 doi "https://doi.org/10.1179/mhj.2012.5.2.261" @default.
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