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- W1971485305 abstract "The fleeting image created by light passing through a small aperture or optical system fascinated man for hundreds of years, and for the Renaissance such images produced by the camera obscura formed an important link between scientific theories of perspective and artistic practice. When the photographic processes of Jacques Louis Daguerre and William Henry Fox Talbot were made public in 1839, however, this new medium for visual imagery faced an art world that had long since abandoned the Renaissance view of the oneness of art and science. Consequently, when photography is considered in conjunction with art in nineteenth century England, it is not surprising that the photographic imagery often appears as the antithesis of Victorian aesthetics and the harbinger of a new, but largely unrecognized visual vocabuary." @default.
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- W1971485305 date "1970-03-01" @default.
- W1971485305 modified "2023-09-23" @default.
- W1971485305 title "An Un-Victorian Photograph of the 1860's" @default.
- W1971485305 doi "https://doi.org/10.1080/00043249.1970.10794713" @default.
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