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- W1972603398 abstract "The article discusses Human Traffic, the first British film to focus exclusively on the youth dance club culture in the UK, a movement associated with recreational drug use which has now reached global dimensions. It explores in which ways the film engages with public discourses about deviant youth’s drug use, tapping into the debates at both ends of the spectrum, i.e. the demands for normalisation vs. prohibition. The film embeds the illicit activity in a narrative that draws from popular mainstream genres, such as the teen rebellion film and the romantic comedy – thus suggesting that these drugs are indeed a normal consumer choice for the youth dance subculture. The article shows how the carnivalesque elements in its visual style and narrative structure contribute to the film’s energetic, life-affirming tone while at the same time celebrating the defiant nature of the youngsters’ clubbing weekend, and offering a polemical rejection of the anti-Ecstasy ‘master discourse.’" @default.
- W1972603398 created "2016-06-24" @default.
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- W1972603398 date "2015-01-02" @default.
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- W1972603398 title "‘The weekend has landed!’ Carnivalesque youth rebellion in the Ecstasy filmHuman Traffic(Justin Kerrigan 1999 UK)" @default.
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- W1972603398 doi "https://doi.org/10.1080/17411548.2015.1008289" @default.
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