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- W1972631130 abstract "During the Renaissance, interest in human anatomy and the inner recesses of the body profoundly impacted literature and culture. Richard Sugg of the University of Durham explores this influence in a meticulous examination of anatomical rhetoric found in all genres of English writing from the sixteenth to the eighteenth centuries. Beginning in the 1570s, use of dissective language in titles, dialogue, and allusion became “not merely fashionable but highly compulsive.” Sugg asserts that many authors employed anatomical terms to reinvent the idea of violence and the image of death in their poems, sermons, and stories. Dramatists in particular could splash both pages and stages with fluids from the newly perceived interior body. Skeletons on parade provided shock value for theatre-goers who might not otherwise have attended a mediocre play, like Henry Chettle's 1603 revenge drama, The Tragedy of Hoffman. References to dissection in the works of famous and obscure writers alike packed more lurid punches than remarks about death itself, as the fear of being anatomized provided a powerful source of “unconscious fantasy.”" @default.
- W1972631130 created "2016-06-24" @default.
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- W1972631130 date "2009-04-03" @default.
- W1972631130 modified "2023-09-24" @default.
- W1972631130 title "Murder after Death: Literature and Anatomy in Early Modern England" @default.
- W1972631130 doi "https://doi.org/10.1093/jhmas/jrp004" @default.
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