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- W1973730347 abstract "This essay demonstrates how ‘current events senryū’ has grafted onto the intertextual structuration of traditional Japanese poetics a foregrounding of contemporary events. As premodern Japanese poetic forms (such as haiku) depend upon working in tandem with matrices of conventional uses and associations, their intertextual deference is extreme. In modern writing, this extreme intertextuality allows foregrounding of multiple intertexts from various discourses, so as to bring to bear a density of reference in the poetry. In articulating satirical observations of current events, senryū borrows only this conventional form of extreme intertextuality while largely abandoning (or at best parodying) conventional associations of such poetic matrices of conventional phrasings and association (common to literary senryū and haiku). Thus contemporary discourses fulfil the formal function of the poetic matrices, obviating conventional coordinates of linear expressivity in prose or free verse. This satirical poetry's ra..." @default.
- W1973730347 created "2016-06-24" @default.
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- W1973730347 date "2013-03-21" @default.
- W1973730347 modified "2023-10-17" @default.
- W1973730347 title "Cheerful dissensus: almighty satirical poetry columns in neoliberalist Japan" @default.
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- W1973730347 doi "https://doi.org/10.1080/10304312.2013.767177" @default.
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