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- W1973920643 abstract "In this article I propose to connect Yeats’s “new fanaticism” and his “late style”—a term I have borrowed from Edward Said to describe the preposterous self-consciousness of the poet’s old age. There are two major aspects to my argument: first, that Yeats’s repeated use of violence as a poetic device, especially when he was an old man—inter-generational murder, hunger strike, political protest, or severe cultural critique—was not simply the cathartic exaggeration of a malcontent but the basis of a dialectical imagination. Second, that Yeats’s “new fanaticism” expresses the predicament of modern poetry as it finds itself, according to Hegel’s influential genealogy of the modern, stranded in the discrepant time/space between art and philosophy, between the classical world of sensuous forms and the modern state. I argue that poetic nonsynchronicity or disjointedness as it occurs in Yeats’s work, itself situated between the modes of Victorian neo-romanticism and twentieth-century modernism, frames an exemplary mode of historical thinking in and of the modern world." @default.
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- W1973920643 date "2014-01-01" @default.
- W1973920643 modified "2023-10-17" @default.
- W1973920643 title "Poetry in the Modern State: The Example of W. B. Yeats’s “Late Style” and “New Fanaticism”" @default.
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- W1973920643 doi "https://doi.org/10.1353/nlh.2014.0022" @default.
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