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- W1974528638 abstract "In view of attack made by Max Nordau on vanguard art in name of positive science, conjunction of Wilde trials with publication of English translation of Nordau's Degeneration (1892) in spring of 1895 had important, negative implications for cultural modernity in England. These were immediately grasped by progressive magazine editors and by intellectuals such as George Bernard Shaw and English feminist aesthetician, Vernon Lee. This essay tracks responses to Nordau's book in Lee's review and Shaw's essay, The Sanity of Art. Both develop a norm of critical reason based on human affectivity as a basis for challenging doxa of contemporary psychiatry. Lee links a critical notion of rationality with cultural dissidence, which she refers to as the queer comradeship of outlawed thought (938), a comradeship that includes a norm of loving friendship, viz., the marriage of true minds (936). In making this connection, Lee argues on behalf of cultural productivity of fin-de siecle decadence." @default.
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- W1974528638 date "2004-01-01" @default.
- W1974528638 modified "2023-10-17" @default.
- W1974528638 title "Productive Decadence: "The Queer Comradeship of Outlawed Thought": Vernon Lee, Max Nordau, and Oscar Wilde" @default.
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- W1974528638 doi "https://doi.org/10.1353/nlh.2005.0003" @default.
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