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- W1977096703 abstract "We think we know a thing or two about Charles Dickens, and for good reason. He has occupied readers for more than 150 years, so it is all the more extraordinary that Rosemarie Bodenheimer's excellent Knowing Dickens reveals so much that is new. The subjects that Bodenheimer takes up – parody, memory, male rivalry, homes, night walking – have been of interest to other Dickens scholars, and yet Bodenheimer's work enlarges our knowledge of these subjects substantially by putting detailed and precise readings of autobiographical texts into contact with her interpretative work on the fiction, thus uncovering the ‘internal plots’ of his consciousness. The particular conflict she registers between the acutely realised representations of human beings in the fictions and the deluded, naive, or repressed voice we often hear in the letters and even in the autobiographical fragment exposes the complex relations between Dickens's knowing and his unknowing self. This is the plot of Bodenheimer's study; her epistolary evidence demonstrates how and where Dickens is unaware of his own manipulations, exaggerations, and faults. Letters which might otherwise be used primarily to supply biographical facts become part of what Bodenheimer calls the ‘recurrent clusters of thought and feeling’ that Dickens transforms so variously in the fiction." @default.
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- W1977096703 date "2010-01-01" @default.
- W1977096703 modified "2023-09-25" @default.
- W1977096703 title "KNOWN AND UNKNOWN: Knowing Dickens. By ROSEMARIE BODENHEIMER" @default.
- W1977096703 doi "https://doi.org/10.1093/escrit/cgp028" @default.
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