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- W1980147303 abstract "The libretto for a tragèdie en musique might be regarded as a tabula rasa . Whereas an Italian dramma per musica generally differentiates between recitative poetry and aria poetry — versi sciolti on the one hand, strophic versi misurati on the other — its French counterpart contains page after page of supple vers libres , which lend themselves to a great variety of musical shapes. Indeed, apart from a few highly conventional gestures, one cannot necessarily tell simply by looking at the libretto how a tragédie en musique will have been set. The point might be illustrated by an example, a pair of invocations sung by Phèdre in Jean-Philippe Rameau's Hippolyte et Aricie (1733); one of them is a single quatrain, and the other consists of eight lines divided by their rhyme scheme into two quatrains. The columns at the left show the length of the vers (with + indicating feminine rhyme) and the rhyme scheme:" @default.
- W1980147303 created "2016-06-24" @default.
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- W1980147303 date "1998-11-01" @default.
- W1980147303 modified "2023-09-27" @default.
- W1980147303 title "Structure and expression in the scènes of Rameau's Hippolyte et Aricie" @default.
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- W1980147303 doi "https://doi.org/10.1017/s0954586700005425" @default.
- W1980147303 hasPublicationYear "1998" @default.
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