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- W1980379540 abstract "The hymns of Ambrose of Milan may usefully be seen in the context ofother forms of rhythmic chant and song found in the social world of theRoman Empire: above all, they may be connected with popular songs andwith acclamations, whether theatrical, political, or religious. Ambrose’shymns in particular share with songs and acclamations a number of formalfeatures, being regular in form and based on accentual stress patternsrather than quantitative meter, and being similarly intended for popularand untrained participation. The most important parallel, however, liesin what may be called their function or effect: for just as did songs andacclamations, Ambrose’s hymns demonstrated and articulated the unityof a diverse population by allowing the constituents to express themselvesin a single voice. What the hymns may have lacked in spontaneity — beingcomplex and pre-composed — they gained in direction and discipline, sothat Ambrose was able to exploit the unity and harmony of his congregationin support of his own political and religious aims. Ambrose’s hymnsthus reconfigured songs and acclamations as a means of establishing andpromoting a Milanese Christian identity and of affirming his own popularauthority and legitimacy." @default.
- W1980379540 created "2016-06-24" @default.
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- W1980379540 date "2013-01-01" @default.
- W1980379540 modified "2023-10-17" @default.
- W1980379540 title "Hymns as Acclamations: The Case of Ambrose of Milan" @default.
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