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• W1981019961 abstract "in haikai 9M history, Uejima Onitsura ?411 (1661-1738) is famous for following statement concerning nature of comic linked verse: Without makoto 'dr , there would be no haikai.' The two Japanese terms used in this statement, haikai and makoto, present an obvious semantic conflict. Makoto in Japanese basically means truth, faithfulness, and genuineness.2 Haikai, on other hand, literally means facetiousness or humor. The term is used to refer to facetious poems in Japan since first imperial poetic anthology, Kokin wakasho W,-RiFnk (905). When haikai no renga %IJi# (comic linked verse) became a popular genre during later medieval and early Edo periods, it was conceived basically as a playful and facetious poem. By saying that without makoto there would be no haikai, Onitsura declared a revolutionary change in nature of comic linked verse, a reform carried out by joint effort of a number of haikai poets during last two decades of seventeenth century. Before this change took place, haikai had been characterized as a poem of free exaggerations and the most deluding falsehoods.3 The shift of critical emphasis from falsehood to truthfulness transformed genre from an entertaining pastime to a serious literary form. An important notion in haikai poetics, Onitsura's makoto has garnered wide scholarly attention. But, because of lack of a clear definition by author himself, over years scholars have been debating precise meaning of Onitsura's makoto and trying to discover its derivation through various sources. The filiation of makoto has been traced to Zen Buddhist doctrine,4 traditional waka poetics,5 and Confucian teaching.6 The assumption that Onitsura's makoto originates in Zen doc-" @default.
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• W1981019961 date "2001-01-01" @default.
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• W1981019961 title "Onitsura's Makoto and the Daoist Concept of the Natural" @default.
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• W1981019961 doi "https://doi.org/10.1353/pew.2001.0029" @default.
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