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- W1981440322 abstract "The close-up is a frequently employed film language in Cantonese opera film production and a keyword that has entered the debates on Chinese opera filmmaking. The close-up also plays a crucial role in the move from a stylized operatic mode of representation to a social realist mode in Cantonese cinema, in addition to performing the function of highlighting performance skills or the texture of a sentiment or an emotional trajectory. Here, through an analysis of the salience of the close-up in Cantonese opera films, and the relation between affect, folklore and Cantonese opera films, I argue that the preponderance of heightened emotion in Cantonese opera films, the perpetuation of the commonsensical view and philosophical conceptions in the approach to challenges and aggression, and the role of the close-up in the translation between stage and screen has given rise to an idiomatic Cantonese cinema in correspondence to the cultural context of Hong Kong and its Cantonese audience." @default.
- W1981440322 created "2016-06-24" @default.
- W1981440322 creator A5053412068 @default.
- W1981440322 date "2014-09-02" @default.
- W1981440322 modified "2023-10-16" @default.
- W1981440322 title "Affect, folklore and Cantonese opera film" @default.
- W1981440322 cites W2020783885 @default.
- W1981440322 doi "https://doi.org/10.1080/17508061.2014.949155" @default.
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