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- W1983255364 abstract "Throughout his career, Michelangelo used the mask to insert personal ruminations about his life and art into his most important commissions. The mask of the figure of the Night in the New Sacristy is here connected to his earliest recorded sculpture and his relationships with the Medici family and identified as an allegorical self-portrait. This and other masking imagery in Michelangelo's drawings and in copies after his now lost works suggest that the motif was a profoundly revealing and wittily elusive device for self-construction within the artist's work and official biography." @default.
- W1983255364 created "2016-06-24" @default.
- W1983255364 creator A5046779186 @default.
- W1983255364 date "1992-09-01" @default.
- W1983255364 modified "2023-09-24" @default.
- W1983255364 title "Michelangelo's Masks" @default.
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- W1983255364 doi "https://doi.org/10.1080/00043079.1992.10786497" @default.
- W1983255364 hasPublicationYear "1992" @default.
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