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- W1984805105 abstract "Abstract: The prime-time debut and subsequent cancellation of the Fox police procedural The Chicago Code, in 2011, briefly returned the once iconic Chicago Police Department to a place of prominence in the American crime drama. The series marked an end to the once official and later unofficial fifty-year moratorium on the fictionalized use of the department’s name, image, and uniform in film and television, as well as a controversial ordinance prohibiting police dramas from being filmed on location in Chicago itself. The present article examines what impact this protracted self-exile from the mythography of the police —the depiction of the police myth in the arts and media—has meant for the Chicago Police Department in terms of its place in both American society and the national police subculture during a time when other police departments were undertaking significant modernization and commercialization efforts. The article additionally examines what the legacy of The Chicago Code may mean for the Chicago Police Department’s imagistic reinvention and eventual reintegration into American popular culture." @default.
- W1984805105 created "2016-06-24" @default.
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- W1984805105 date "2013-01-01" @default.
- W1984805105 modified "2023-09-26" @default.
- W1984805105 title "Out of Exile: The Recusal of the Chicago Police from American Film and Television, 1961–2011" @default.
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- W1984805105 doi "https://doi.org/10.3138/cras.2013.026" @default.
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