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- W1985154467 abstract "The continuous transformations suffered by flamenco have always been related to its interactions with many other traditions. What once was a local experience, although hybrid from its origins, was transformed into a chameleonic musical phenomenon able to produce new development while conserving a characteristic personality. The transnational flamenco progress started around the end of 19 th century. It is considered that its trips to America, especially those to the United States, were the most relevant to the phenomenon. However, flamenco artists developed their careers detached from its socio-cultural environment —and even from American cultures— in the new settings. Their isolation was twofold and favored specific ways to perform and experience flamenco. This new expansion gave transnational flamenco a distinctive and contemporary Kitsch touch." @default.
- W1985154467 created "2016-06-24" @default.
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- W1985154467 date "2004-12-30" @default.
- W1985154467 modified "2023-09-30" @default.
- W1985154467 title "El imaginario flamenco americano: Aura y <i>Kitsch</i> en la escena transnacional" @default.
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- W1985154467 doi "https://doi.org/10.3989/rdtp.2004.v59.i2.131" @default.
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