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- W1987007776 abstract "Brendan Kennelly, one of the translators of Lorca's 1933 play Bodas de Sangre (Blood Wedding), evidently understood the problem of knives. As he so neatly expressed in this poem, a knife is double-edged: it may be the shining instrument of ritual sacrifice and blood feud, symbol of the phallic love and possession that bonds communities and defines territorial boundaries, or it may equally be the scalpel of the scientist, the mystery-dispelling tool of dissection and analysis. As an Irishman schooled in the English tradition, and both poet and academic, Kennelly has a foot in each camp, and hence would seem better placed than most to translate a play like Blood Wedding. For indeed, transporting the passionate, instinctual world of rural Andalusia to the cold, rational terrain of modern England looks to be a task fraught with difficulties: the 'conceptual grid' is so different that we might expect most of the symbolic depth and intensity of the play to be lost when it is translated.2" @default.
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- W1987007776 date "2002-03-01" @default.
- W1987007776 modified "2023-09-25" @default.
- W1987007776 title "The ‘Duende’ in England: Lorca's Blood Wedding in Translation" @default.
- W1987007776 cites W614951130 @default.
- W1987007776 doi "https://doi.org/10.3366/tal.2002.11.1.24" @default.
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