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- W1988208571 abstract "AbstractThe aesthetic response to the collapse of state socialism and the exhaustion of the welfare state ranges from sober, historical description to melancholic fixation; from brutal erasure to the painful work of mourning; and from dismissal to nostalgic longing. Walter Benjamin once suggested that historical memory sustains emancipatory potentials that were once crushed. If this is true, when does authentic attachment to the past wend into nostalgia? This essay lays part of the foundation for an analysis of socialist nostalgia by reading two recent films, Tony Harrison's Prometheus (1998) and Mark Herman's Brassed Off (1996). Both films respond to Europe's socialist crisis of the 1980s and 1990s. Whereas Harrison's investigation of the harsh realities of Promethean industry works to deflect criticism of the Left, Herman risks exposing his film to the nostalgia wave that washed over Europe during the crisis of Marxism. Through musical means, Brassed Off finds the inverse of the reverie that has enchant..." @default.
- W1988208571 created "2016-06-24" @default.
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- W1988208571 date "2004-11-01" @default.
- W1988208571 modified "2023-09-26" @default.
- W1988208571 title "Nostalgia and obstinacy: Prometheus and Brassed Off in the culture industry" @default.
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- W1988208571 doi "https://doi.org/10.1386/seci.1.3.199/0" @default.
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