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- W1988388061 abstract "IN critical appreciations of Palestrina's music, his ' Liber Quartus '(1) of twenty-nine motets in five parts from the Song of Solomon is almost invariably cited as a masterpiece. As such, it was acclaimed by his contemporaries, and before i6oo had been through no less than six editions, and through four more by I650. It is surprising, therefore, that these motets are so little known even among musicians. The public seldom, if ever, hears them performed. The work is usually regarded as a sort of Golden Treasury from which exceptionally beautiful motets may be selected for performance or for the occasional service of the church. There seems to be an almost universal opinion that it was not designed for performance as a whole. But an examination of the text and music shows that such an opinion is difficult to maintain and, at the same time, raises interesting questions as to Palestrina's purpose in composing the series. What Palestrina thought about the allegorical interpretation of the text is relatively unimportant. He makes clear, in his dedication to Pope Gregory XIII, that even though the text may have a sacred significance, it demands, in his view, treatment in a more passionate style than other texts of a sacred character. In other words, he takes the allegory at its face value-so to speak -and tradition and the Council of Trent are to be overruled by the exigencies of art. It is also relatively unimportant how far, in Palestrina's day, any critical reconstruction of the text had been attempted. It is only important to note that Palestrina made an attempt to select and arrange a text with some coherence and climax. Indeed, the fact that he does so is strong evidence that he regarded the series of motets as a single design. Further, the grouping of the motets" @default.
- W1988388061 created "2016-06-24" @default.
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- W1988388061 date "1937-01-01" @default.
- W1988388061 modified "2023-09-25" @default.
- W1988388061 title "PALESTRINA'S ‘SONG OF SOLOMON’" @default.
- W1988388061 doi "https://doi.org/10.1093/ml/xviii.2.150" @default.
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